{"id":3962234,"date":"2025-06-21T09:01:55","date_gmt":"2025-06-21T16:01:55","guid":{"rendered":"https:\/\/dostoevsky-bts.com\/blog\/?p=3962234"},"modified":"2025-06-21T09:02:00","modified_gmt":"2025-06-21T16:02:00","slug":"real-life-consequences-of-censorship-in-art-films","status":"publish","type":"post","link":"https:\/\/dostoevsky-bts.com\/blog\/real-life-consequences-of-censorship-in-art-films\/","title":{"rendered":"Real life consequences of censorship in art films"},"content":{"rendered":"\n

What is censorship?<\/h2>\n\n\n\n

According to Cambridge online dictionary, Censorship is \u201cthe action of preventing part or the whole of a book, film, work of art, document, or other kind of communication from being seen or made available to the public, because it is considered to be offensive or harmful, or because it contains information that someone wishes to keep secret, often for political reasons.\u201d<\/p>\n\n\n\n

In other words, we can understand the act of censorship as an active attempt to prevent a piece of information from being disclosed to the public eye. We may most commonly associate these actions to a journalistic environment, which is the epitome of researching and disclosing information, but I am sure we would all agree that the art world is also one of the most prolific places to find this behavior.<\/p>\n\n\n\n

Why would movies be subject to censorship?<\/h2>\n\n\n\n

Sadly there are many examples of a film being subject to censorship. As it can be understood not only as an entertainment product but also as a work of art, it has the characteristic of being a vehicle for human expression, often struggling to deliver its message precisely due to the things it talks about. But censorship in this regard has a lot more to do with the public nature of the cinema than any other of its features.<\/p>\n\n\n\n

Since the cinematograph was invented by the Lumiere brothers in 1895, films have been a public experience, reaching different audiences throughout history. Even movie theaters used to deliver the news in the 40\u2019s and 50\u2019s because it was a place already designed for people to gather.<\/p>\n\n\n\n

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Photogram from Daisies<\/em> (Vera Chytilova, 1966).<\/figcaption><\/figure>\n\n\n\n

Movies like Daisies<\/em> (Vera Chytilova, 1966) or Salo<\/em> (Pier Paolo Passolini, 1975) faced strong restrictions in terms of their distribution and exhibition due to their political speech and depictions of what was considered morally depraved sexual practices. But even when these are great examples of censorship in movies, they have in common one thing: both films were already finished when the forbiddance began.<\/p>\n\n\n\n

Independent filmmaking under attack<\/h2>\n\n\n\n

While the most popular \u2013or should I say well-known\u2013 restrictions in this regard are those where the motion pictures are already at their distribution\/exhibition facet, it does not mean that it is the only step of the way movies face such attacks. A good example of this is what happened to Writer \/ Director \/ Producer Vitaly Sumin<\/a> and his crew when producing the award winning movie Notes From the New World <\/em><\/strong><\/a>, where oddly and dangerous things were taking place in order to stop the film from being made.<\/p>\n\n\n\n

From weird discoveries, harassment and physical attacks, to the sudden and mysterious disappearance of Bob Hurley\u2014the screenwriter of the film\u2014the recently released documentary The Strange Case of Robert Hurley and the Missing Screenplay <\/em><\/a><\/strong> follows the threatening atmosphere this passionate crew had to navigate to bring their movie to completion.<\/p>\n\n\n\n

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