{"id":723755,"date":"2016-01-11T14:23:36","date_gmt":"2016-01-11T14:23:36","guid":{"rendered":"http:\/\/dostoevsky-bts.com\/blog\/?p=723755"},"modified":"2016-01-11T14:23:36","modified_gmt":"2016-01-11T14:23:36","slug":"dostoyevsky-variations-by-noel-vera","status":"publish","type":"post","link":"https:\/\/dostoevsky-bts.com\/blog\/dostoyevsky-variations-by-noel-vera\/","title":{"rendered":"Dostoyevsky Variations by Noel Vera"},"content":{"rendered":"<p>Dostoevsky has never been far from Filipino filmmaker Lav Diaz\u2019s mind.\u00a0<em>Crime and Punishment<\/em> figures prominently in Diaz\u2019s debut feature, <em>The Criminal of Barrio Concepcion<\/em> (98), with the quietly impressive Raymond Bagatsing playing a version of Raskolnikov as a kidnapper afflicted by a seriously inflamed toothache.<br \/>\n<strong><a href=\"http:\/\/www.filmcomment.com\/article\/lav-diaz-norte-the-end-of-history\/\" target=\"_blank\">Continue reading<\/p>\n<p><\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dostoevsky has never been far from Filipino filmmaker Lav Diaz\u2019s mind.\u00a0Crime and Punishment figures prominently in Diaz\u2019s debut feature, The Criminal of Barrio Concepcion (98), with the quietly impressive Raymond Bagatsing playing a version of Raskolnikov as a kidnapper afflicted by a seriously inflamed toothache. Continue reading<\/p>\n","protected":false},"author":17,"featured_media":723887,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_uf_show_specific_survey":0,"_uf_disable_surveys":false},"categories":[1,54,205],"tags":[51,110,87,4,151,154,152,19,17,153],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/posts\/723755"}],"collection":[{"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/users\/17"}],"replies":[{"embeddable":true,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/comments?post=723755"}],"version-history":[{"count":2,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/posts\/723755\/revisions"}],"predecessor-version":[{"id":723889,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/posts\/723755\/revisions\/723889"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/media\/723887"}],"wp:attachment":[{"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/media?parent=723755"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/categories?post=723755"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dostoevsky-bts.com\/blog\/wp-json\/wp\/v2\/tags?post=723755"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}