film noir Archive

the-stranger-1946-orson-welles-poster-feat-640x372
A unique approach to acting, writing, and directing come together to craft the conventions of the film noir effectively. The cinematography and lighting that present the stylistic black-and-white imagery create the dark world film noir embraces. Bright lights and...
Evening at Ricks-2
  Long before Bogart could capture audiences’ attention in the cinema, his image on a poster was necessary to inform crowds of an upcoming release. Film noir posters — ironically — must be noir-like while avoiding the essential element...
Hollywood Sign-Finale-Shades-1
Hollywood has had an obsession with, well, Hollywood. While shooting in the Hollywood/L.A area  is an obviously smart business move, you may run into problems where your movies may be seen as something by-Hollywood-for-Hollywood that celebrates the industry. (An...
A shot from Roman Polanski's Chinatown
“Forget it, Jake. It’s Chinatown.” There are places that have a character of their own, and the Chinatown of the 1930s in Los Angeles definitely fits the bill. Up to 1910, this was a booming part of town, with...
A Shot from David Lynch's Mulholland Drive, part of our neo-noir survey
So what’s this neo-noir thing, you’ll ask? Film noir as we know it today was a label attached to films with common themes and plot devices that were predominantly produced between 1941’s The Maltese Falcon and 1958’s Touch of...